THE MOVEUM YOKOHAMA | by TOYOTA GROUP

ALSO SHOWING LISTEN.  ONE MOMENT ENCOUNTER THE EARTH STUDIO PROGRAM Start 2025.12.20 SAT End 2026.3.31 TUE “Do you know that our soul is composed of harmony?” - Leonardo da Vinci

Born from diverse cultures and paths that have crossed, a library of wonderful sounds.   「LISTEN.」

From the vast collection of film and audio recorded while traveling for 10 years through diverse musical cultures,comes a new immersive series entitled, 「One Moment」

Let's listen to the brilliance of life and "encounter" the world!
Sing, play music, dance, laugh, and cultivate a brighter tomorrow.  Nurture the Earth!
Respect and admire one another and build happiness and peace.

LISTEN. producer
Tomoko Yamaguchi

THE LISTEN PROJECT

The LISTEN.  Project has traveled to 26 countries over the course of 10 years,
capturing on film treasures of sound and culture that we hope to pass on to the future.
Rhythms of the horse-riding people that connected the East and West.   Melodies of nomadic people, minstrels, festivals of song that unite hearts, and soulful dances passed down from generation to generation.   Following the paths where cultures have crossed, these films journey through sounds that nurture life.

Countries visited (in alphabetical order): Argentina, Austria, Belize, Canada, Iceland, Iran, Finland, Georgia, Greece, Honduras, Hungary, India, Kazakhstan, Lithuania Moldavia Nepal, Norway, Portugal, Puerto Rico, Romania, Sardinia, Serbia, Spain, Sweden, Turkey, United States.

About THE LISTEN PROJECT
THE TEAM Garry Bassin - Planner, Director, Producer  Tomoko Yamaguch - Planner, Producer Attila Csoboth - Cinematographer  Mac Rut - Sound Engineer Andreas Ruft - Sound Engineer Peter Rakossy - Still Photographer

REJOICE 夜明けの章 ARTISTS

  • KAZAKHSTAN TURAN

    Horses have played an essential role in nomadic life from ancient times, including of course during the migration of those tribes to Europe more than one thousand years ago.  The horse is symbolic to the people of these regions and is intertwined in many parts of their lives.  From these once sacred animals, horsehair became the strings of the violin and various other string instruments, and the horses’ gallop became the underlying beat.   TURAN represents the “Land of Ancient Central Asia” and revives these ancient sounds in the present day.

  • ARGENTINA TUKUTA GORDILLO

    In the Andes of South America there are thousands of years of history and folklore.   TUKUTA inherits the reed flutes and the songs of the indigenous people and explains that “music is the equilibrium between nature, society and human beings”.  

  • LITHUANIA SAULIUS PETREIKIS

    Lithuania is a country where a third of the land is covered by forests and where worship of nature is deeply rooted.   The country's customs overlap with Japan's respect for nature.   SAULIUS explores a musical world that blends with nature, including the sounds of birds, wind, and rain, using flutes and ocarinas made from natural materials such as goat horns, stones, and plants.

  • LITHUANIA SEN SVAJA

    In Lithuania, the Midsummer Festival is celebrated with great fanfare.  On this day, when the sun triumphs over darkness, forest plants are believed to possess special powers, so people go out into the fields to pick herbs and flowers and weave them into crowns to adorn their heads.  They purify themselves by passing through gates decorated with oak leaves, light fires, sing and dance in gratitude to nature, and jump over the burning fires to pray for happiness.  The traditional women's song, which contains the magical healing power of nature, is called Startines, "Harmony."

  • HUNGARY PARNO GRASZT

    The Roma are a nomadic people with origins in northern India.  They left their homeland a thousand years ago and spread to the Middle East, Egypt, Bulgaria, Romania, Hungary, Croatia, Macedonia, Serbia, and Greece, conveying stories of their spiritual homeland and memories of their journeys through music.   A grand celebration of the baptism of children in an eastern village in Hungary, where Parno Graszt’s music joyfully connected more than 300 people who came to wish the children and their families well.

  • GEORGIA SHALVA CHEMO

    Georgia, nestled in the Caucasus Mountains, is said to be the birthplace of the some of the oldest civilization.  It is also said to be the birthplace of wine 8,000 years ago, and even today people raise their cups and welcome guests with song, treating it as a gift from the gods.  The country boasts a wonderful a cappella male choral culture.  SHALVA CHEMO, based in the western town of Guria, continues to carry on the tradition of polyphony.

  • GEORGIA BASIANI ENSEMBLE

    Since 2013 Basiani has been the State Ensemble of Georgia.   They carry on the tradition of traditional polyphony, the origin of choral singing.
    In the town of Guria in the west of Georgia, we joined a traditional "Supra" party, featuring repeated toasts and songs.   The song they sing is the same song that is on the Golden Record that is on board the Voyager spacecrafts that left Earth in 1977 and to this day continue their interstellar journey.

event

faq

Q How long will the event be held?
A

"Fin de Siècle Vienna : The Golden Age of Beauty Gustav Klimt and Egon Schiele - Artists of Light and Shadow" and "LISTEN." are scheduled to run until March 31, 2026 (Tuesday).

Q Will the content of the screenings of "Fin de Siècle Vienna : The Golden Age of Beauty Gustav Klimt and Egon Schiele - Artists of Light and Shadow" and "LISTEN." change?
A

No changes are planned during the current showing.

Q What is the running time of "LISTEN."?
A

It is scheduled to last approximately 15 minutes.

Q Are there any restrictions on admission?
A

There is no age limit, but we do not allow children of elementary school age and younger alone, and those in poor physical condition or intoxicated.

Q Can children enter alone?
A

Children of elementary school age and younger must be accompanied by a parent or guardian 18 years of age or older.

Notes

Please read this before your visit.

Notes on ticket purchase

  • Please arrive at the venue 15 minutes before the screening time printed on your ticket and get in line to enter the venue.
  • Customers who purchase tickets at a discounted price (for students and persons with disabilities) may be asked to present student ID, a disability certificate, or some other form of identification at the time of admission.  Failure to present this ID may result in denial of admission, so please be sure to bring it with you.
  • Customers will not be admitted to the venue after the admission time indicated on the ticket.
    Please note that no refunds or substitutions will be made if you do not show up for any reason.
  • Please present your electronic or (printed) paper ticket at the time of admission.  After ticket authentication, you will be admitted to the venue.  Customers using electronic tickets are requested to keep their smartphones fully charged and present them with a connection to the internet.
  • Resale of tickets for this exhibition for commercial purposes (including selling tickets on internet auctions, flea market apps, etc.) is strictly prohibited, and admission with a resold ticket is not permitted.  In the event that we discover your ticket is a resold tickets, the ticket will be invalidated and admission may be denied.  No refunds will be made in such cases.

Notes on visiting the museum

  • Only the following cashless payments are accepted at the venue.

    *Please note that cash is not accepted.  Thank you for understanding.

    Credit card (VISA, Mastercard, JCB, American Express, Diners Club, Discover, UnionPay)/Code payment (Smart Code™, AliPay+, WeChat Pay, PayPay, Rakuten Pay, d-pay, and AEON Pay)

    Credit card

    Code payment

Notes on the museum experience

  • There are areas where light stimulation is strong or dark.  
  • Due to the nature of the work, there will be flashing lights, loud noises, and aromatic scents.
  • Parents should pay close attention to their children's condition.
  • Precautions for those that the following items are applicable to

    • -Those who have had muscle cramps or loss of consciousness due to light stimulation
    • -Those who have extreme fear of cramped or dark places, or heights
    • -Those who have heart palpitations, shortness of breath, or other physical or health conditions concerns
    • -Those who are pregnant or possibly pregnant
    • -Those carrying a child in their arms
    • -Those wearing shoes with high heels (high heels, pin heels, thick-soled shoes, etc.)

Prohibited items

  • Wearing glowing shoes or bracelets, psyllium, or other items that may affect the viewing experience of other patrons.
  • Please do not touch the projector, sensors, lights, and other equipment for your own safety and the preservation of the artworks.

Other notes

Notes on ticket purchase

  • Tickets can be purchased in advance via the online ticket purchase website.  Tickets can be purchased at the venue on the day of the exhibition, but we recommend that you purchase them in advance as they are limited in number and may sell out, or you may be asked to wait if the venue is crowded.
  • In the event that unavoidable circumstances, such as inclement weather or transportation suspension, make it difficult for customers to attend the event, we may announce special measures on our official social media accounts.  Please be sure to check our socials before your come.
  • No date/time changes, ticket type changes, cancellations, or refunds will be accepted after purchase.  Please carefully check the date, time, ticket type, and number of tickets at the time of purchase.  
  • Re-entry will be allowed within the time of the purchased ticket.  If you wish to re-enter, please ask a staff member upon exiting to stamp your hand.  
  • In the event that the event is canceled due to a disaster, other acts of God, or for the organizer's own reasons, you will receive a refund for the purchased tickets.  Refunds will be announced separately.  
  • If all customers for the purchased tickets are not present, you will not be allowed to enter.  Please make sure that all attendees are present before entering.  
  • Children of elementary school age and younger are not allowed to enter alone.
    Please make sure that all children enter with a parent or guardian 18 years of age or older.  

Notes on visiting the museum

  • Please note that the opening days, hours, etc.  may change due to various reasons.  Please check our official social media accounts for the latest information.  
  • Only the following cashless payments are accepted at the venue.

    *Please note that cash is not accepted.  Thank you for understanding.

    Credit card (VISA, Mastercard, JCB, American Express, Diners Club, Discover, UnionPay)/Code payment (Smart Code™, AliPay+, WeChat Pay, PayPay, Rakuten Pay, d-pay, and AEON Pay)

  • Free lockers are available at the venue, but numbers are limited.  In addition, please hold on to large baggage (large carry-on suitcases or outdoor carts) that will not fit in the lockers.  
  • Baby stroller parking is available.  The organizer will not be responsible for any theft, loss, damage, or other trouble since the door cannot be locked.  

Notes on the museum experience

  • Please note that the artworks and specifications of the artworks may change depending on the season.
  • Please note that some artworks may not be available due to crowds or maintenance.

Photography

  • Photos and videos may be taken, but please be careful not to disturb other guests.
  • Please refrain from using flash photography and filming live broadcasts, including to social media, etc.
  • The use of monopods, tripods, selfie sticks, and other photographic aids with a total length of 30 cm or more are also not permitted.
  • Please note that interviews and filming may be conducted without prior notice.
    If you do not agree to be photographed regardless of the purpose, please notify a staff member.  
  • Photography for commercial purposes or news gathering without prior consent is not permitted.
  • If you are found to be using the exhibition for commercial purposes or disturbing other participants, you may be asked to leave the venue.
  • Various media coverage and filming may take place.
    If you do not give your consent to be photographed, please notify the nearest staff member.  
  • In principle, the content of the experience may be freely posted on social networking sites, etc.  However, we ask that you please be considerate of other guests and staff when posting photos and videos.  Also, when posting or sending out information, please be considerate of those who have not yet experienced the event when doing so.  

Other notes

  • The venue assumes no responsibility for any injury, loss, damage, or other trouble that may occur during your visit.
  • Please note that we will not be responsible for any loss or theft of valuables.
  • Please note that due to unforeseen circumstances, some works may not be available for viewing.
  • Please follow the instructions of the staff.  Failure to comply may result in being asked to leave the venue.
  • We do not guarantee travel expenses for visitors, even if the venue is temporarily closed.

Prohibited items

  • Admission of drunken or ill-mannered persons
  • Food and beverages in the building (including gum and candy)
    Please refrain from bringing or consuming food or beverages in the screening area or museum shop.
    Food and beverages that are in tightly sealed containers may be brought in, however.
  • Smoking in the venue.
  • Bringing in hazardous materials or items deemed inappropriate by management
  • Accompanying pets and other animals (except guide dogs, hearing dogs, and service dogs)

Inquiries

THE MOVEUM YOKOHAMA
Secretariat

info@the-moveum-yokohama.jp

Acceptance and Response Time

Email acceptance times: 24-hours a day

Secretariat response times:
Monday-Friday 12:00-17:00

*Except national holidays

*We will respond to your e-mail during business hours.

Please note that depending on the content of the message it may take several business days to reply.

Note: Inquiries regarding this matter are handled by the subcontractor.

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