STORY
The Beauty of Japan That Enchanted an Impressionist
Oct 24, 2026 (Sat)-Mar 31, 2027 (Wed)
Monet and Ukiyo-e
The Beauty of Japan That Enchanted an Impressionist
Monet and Ukiyo-e: The Beauty of Japan That Enchanted an Impressionist is not simply a survey of Claude Monet’s art. Taking his encounter with Japanese art as a point of departure, this immersive program traces how ukiyo-e and Impressionism spoke to each other, and how Japanese prints opened up a new way of seeing for Western artists in the late 19th century.
This large-scale immersive experience brings painting, architecture, music, moving images, and sound together in a single, continuous sensory narrative.
*The projected image is for illustrative purposes only. The actual image may differ.
Impressionism in Paris
In the late 19th century, Paris rapidly developed into a modern city, alive with art and entertainment.
Impressionist painters, including Monet, Renoir, and Degas, turned away from traditional subjects drawn from history and mythology and instead looked to scenes of everyday life in their own time.
During the same period, Japan opened its ports after the arrival of Commodore Matthew C. Perry, and a wide range of objects, including ukiyo-e and crafts, began making their way to Europe.
Claude Monet, Impression, Sunrise
1872, oil on canvas, 50 × 65 cm, Musée Marmottan Monet, Paris / Bridgeman Images
Claude Monet, La Grenouillère
1869, oil on canvas, 74.6 × 99.7 cm, The Metropolitan Museum of Art, New York / Stefano Bianchetti / Bridgeman Images
Into Nature
Nature was one of the central subjects of Monet’s painting throughout his life.
He observed the turn of the seasons and shifting aspects of nature from one moment to the next, rendering the movement of light and air.
These expansive landscapes reveal Monet’s sustained attention to changes in light and season.
Claude Monet, Woman with a Parasol – Madame Monet and Her Son
1875, oil on canvas, 100 × 81 cm, National Gallery of Art, Washington, D.C. / Artvee
Claude Monet, Study of a Figure Outdoors: Woman with a Parasol, Facing Right
1886, oil on canvas, 130.5 × 89.3 cm, Musée d’Orsay, Paris / Bridgeman Images
Japonisme
As Japanese art reached Europe in the late 19th century, it opened new visual possibilities for Western artists, including Monet.
Monet is known to have been an avid collector of ukiyo-e. At his home in Giverny, where he spent more than 40 years, the walls were hung with numerous ukiyo-e prints from his collection.
Claude Monet, La Japonaise (Camille Monet in Japanese Costume)
1876, oil on canvas 231.8 × 142.3 cm, Museum of Fine Arts, Boston / akg-images
Ukiyo-e: The Beauty of Edo and New Forms of Visual Expression
The bold composition and compressed sense of depth capture the overwhelming power of nature in a single instant, and the print made a vivid impression on Western artists.
The delicate rendering of subtle changes in atmosphere and weather, and of scenes in which people live close to nature, reveals an aesthetic sensibility that echoes Monet’s own approach to landscape.
Katsushika Hokusai, Under the Wave off Kanagawa (Kanagawa oki nami ura), from the series “Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)”
ca. 1830–32, Woodblock print; ink and color on paper, 25.4 x 38.1 cm / The Howard Mansfield Collection, Purchase, Rogers Fund, 1936 / The Metropolitan Museum of Art, New York
Utagawa Hiroshige, Nihonbashi, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan-tsugi no uchi)
1833-34 or later, Woodblock print; ink and color on paper, 23.8×36.2 cm, Brooklyn Museum / © Brooklyn Museum / Gift of Dr. and Mrs. Maurice H. Cottle / Bridgeman Images
Water Lilies: Shifting Light, Endless Landscapes
Monet created his ideal garden at his home in Giverny, where he spent many years of his life. He repeatedly depicted the garden’s Japanese-style bridge and water-lily pond in his Water Lilies series.
Monet regarded the garden as a living work of art, and he tended and reworked it throughout his life while closely observing its changes.
Claude Monet, White Waterlilies
1899, oil on canvas, 89 × 93 cm, Pushkin Museum, Moscow / Bridgeman Images
Claude Monet, Water Lilies
c. 1919–1922, oil on canvas, 100 × 200 cm, Private Collection / Bridgeman Images
INFORMATION
Monet and Ukiyo-e
The Beauty of Japan That Enchanted an Impressionist
Oct 24, 2026 (Sat)-Mar 31, 2027 (Wed)
Screening time
Monday–Friday, Sundays, and national holidays
11:00 – 18:00 (Opening hours 10:30 – 18:30)
Saturdays and days before national holidays
11:00 – 19:00 (Opening hours 10:30 – 19:30)
- Venue:
- Yokohama Yamashita Pier Shed No. 4
THE MOVEUM YOKOHAMA THEATER - Supported by:
- Embassy of France in JapanInstitut Français du Japon
- Scholarly Advisory Support:
- Pola Museum of Art
Exhibition Produced by : TMONET
Design and Creative Director : Gianfranco Iannuzzi
©GIANFRANCO IANNUZZI / TMONET
Claude Monet (1840–1926)
Born in Paris in 1840, Claude Monet was a major French painter and a central figure in Impressionism. He was fascinated by the way light and atmosphere shift, and he spent his life painting nature in a state of constant change.
1875, oil on canvas, 100 × 81 cm, National Gallery of Art, Washington, D.C. / Artvee
Ukiyo-e
Ukiyo-e, which developed during the Edo period (1603–1868), is one of Japan’s most iconic forms of pictorial art.
The term ukiyo-e refers to pictures depicting the customs and pleasures of the everyday world, known as ukiyo (the floating world). Ukiyo-e reflected the lives, entertainment, fashions, and aspirations of people in the Edo period.
ca. 1830–32, Woodblock print; ink and color on paper, 25.4 x 38.1 cm / The Howard Mansfield Collection, Purchase, Rogers Fund, 1936 / The Metropolitan Museum of Art, New York
Monet and Japan
Claude Monet was an avid collector of ukiyo-e. His home in Giverny housed more than 200 ukiyo-e prints, including works by Katsushika Hokusai.
The asymmetrical compositions, bold cropping, and unconventional approaches to nature found in ukiyo-e opened up new artistic possibilities for Monet.
Monet also created a Japanese-inspired garden at the house, where he welcomed visitors with strong connections to Japan along with French artists and cultural figures, and those exchanges deepened over the years.
The exhibition traces the “birth of a new way of seeing” to Monet’s encounter with Japanese art and the process by which he absorbed forms from another culture and reworked them in his own painting.
How to experience Monet and Ukiyo-e
01Theater Area
Immerse yourself in Monet’s world
The Beauty of Japan That Enchanted an Impressionist
In a vast space of approximately 1,800 m², brushstrokes and ripples on the water are magnified to monumental scale. Rather than simply watching from a seat, move through the space and experience a new way of seeing that emerged from Japan’s encounter with the West.
The approximately 45-minute program runs on a continuous loop.
02Monet’s Dining Room
Step into Monet’s life
A Space Filled with the Ukiyo-e that Captivated Monet
The dining room was one of the emblematic spaces in the Giverny house where Monet lived from 1883 until his final years. Its walls were hung with treasured ukiyo-e by Hokusai, Hiroshige, Utamaro, and others. This venue presents an installation inspired by that room.
The installation is located at the far end of the main gallery.
Be sure not to miss it.
03Ukiyo-e Explanation Booth
Learn more about ukiyo-e, the Japanese art form that enchanted Monet
Between Monet and Ukiyo-e
Monet was enthralled by ukiyo-e. This exhibit examines its bold compositions, rich visual language, and the skill of the artisans who brought each print into being. Through ukiyo-e reflecting the everyday life and culture of Edo, the exhibit reveals the depth of Japanese art that crossed the sea and fascinated Western artists.
Design and Creative Director
Gianfranco Iannuzzi
Gianfranco Iannuzzi is a leading figure in immersive art with over 30 years of experience. He creates emotional, interactive environments that engage audiences at the core of the artwork.
Through his work, he continues to reinvent the way people experience art through emotion, light, and space.
Since 2010, he has contributed to the creation and development of the world's leading immersive art centers, from Paris to Seoul, Tokyo, and New York. THE MOVEUM YOKOHAMA is his latest project to rehabilitating and sublimating Yamashita pier through digital art and offer the public a more emotional experience of art.
www.gianfranco-iannuzzi.com
TICKET
Cheaper than at the door
Online Ticket
| Ticket type | Online (incl. tax)*4 | At the door (incl. tax) |
|---|---|---|
General admission ticket | 3,000yen | 3,800yen |
Student ticket*1(high school, university, and vocational school students) | 1,700yen | 2,400yen |
Pair ticket*2(2 People) | 5,600yen | Online sales only |
Discount ticket for visitors with disabilities*3 (Valid for the certificate holder only) | 2,500yen | 3,300yen |
- *1You may be asked to show a student ID upon admission. Please be sure to bring it, as admission may be refused if you are unable to present it.
- *2Each ticket admits up to two people. Both visitors must enter at the same time. The ticket cannot be split between separate dates.
- *3You may be asked to show a disability certificate or similar documentation upon admission. Please be sure to bring it, as admission may be refused if you are unable to present it.
- *4Online ticket prices are subject to an additional processing fee. The fee amount varies depending on the ticketing agency.
Free for Junior High School Students & Under
How to Get Your Free Ticket
Admission tickets for eligible children will be distributed at the Information Desk inside the venue upon arrival.
*Children of elementary school age and under must be accompanied by an adult (18 or older). Entry for unattended children is not permitted.
*Junior high school students may be asked to show a valid student ID upon entry. Please be sure to bring your student ID, as failure to present it may result in denied entry.
Online Ticket Sales
*The theater program begins on the hour, every hour.
*Depending on crowd levels, you may be asked to attend the next screening.
*Mornings are expected to be busy. If you would like to enjoy the program at a relaxed pace, please consider visiting in the afternoon or later.
Applicable Events
THEATER PROGRAM
EVENT
Related Program
STUDIO PROGRAM
Japan Contest
Children’s works come to life as immersive moving images. Watch their imaginations grow to fill the room.
Oct 24, 2026 (Sat)
-
FAQ
Are there any restrictions on admission?
Admission is not permitted for guests who are unwell or under the influence of alcohol. Additionally, children in elementary school or younger must be accompanied by a guardian aged 18 or older.
May I take pictures?
Photos and videos may be taken, but please be careful not to disturb other guests.
Additionally, no monopods, tripods, selfie sticks, or other photographic aids with a total length of 30 cm or more may be brought in or used.
Can I upload the photos and videos I take to social media?
In principle, the content of the experience may be freely posted on social networking sites, etc. However, we ask that you please be considerate of other guests and staff when posting photos and videos. Also, when posting or sending out information, please be considerate of those who have not yet experienced the event when doing so.
Can I livestream?
Live streaming is prohibited.
Can I re-enter the venue?
Re-entry is permitted on the day of your reservation.
If you wish to re-enter, please ask a staff member
Notes
Notes on ticket purchase
- Customers who purchase tickets at a discounted price (for students and persons with disabilities) may be asked to present student ID, a disability certificate, or some other form of identification at the time of admission. Failure to present this ID may result in denial of admission, so please be sure to bring it with you.
- Please note that no refunds or substitutions will be made if you do not show up for any reason.
- Please present your electronic or (printed) paper ticket at the time of admission. After ticket authentication, you will be admitted to the venue. Customers using electronic tickets are requested to keep their smartphones fully charged and present them with a connection to the internet.
- Resale of tickets for this exhibition for commercial purposes (including selling tickets on internet auctions, flea market apps, etc.) is strictly prohibited, and admission with a resold ticket is not permitted. In the event that we discover your ticket is a resold tickets, the ticket will be invalidated and admission may be denied. No refunds will be made in such cases.
Notes on the theater program screening schedule
- The theater program begins on the hour, every hour.
- Depending on crowd levels, you may be asked to attend the next screening.
- Mornings are expected to be busy. If you would like to enjoy the program at a relaxed pace, please consider visiting in the afternoon or later.
Notes on visiting the museum
Only the following cashless payments are accepted at the venue.
*Please note that cash is not accepted. Thank you for understanding.
- Credit card (VISA, Mastercard, JCB, American Express, Diners Club, Discover, UnionPay)
- E-money (Transportation IC cards / iD / QUICPay / Rakuten Edy)
Notes on the museum experience
- There are areas where light stimulation is strong or dark.
- Due to the nature of the work, there will be flashing lights, loud noises, and aromatic scents.
- Parents should pay close attention to their children's condition.
- Precautions for those that the following items are applicable to,
- Those who have had muscle cramps or loss of consciousness due to light stimulation
- Those who have extreme fear of cramped or dark places, or heights
- Those who have heart palpitations, shortness of breath, or other physical or health conditions concerns
- Those who are pregnant or possibly pregnant
- Those carrying a child in their arms
- Those wearing shoes with high heels (high heels, pin heels, thick-soled shoes, etc.)
Prohibited items
- Wearing glowing shoes or bracelets, psyllium, or other items that may affect the viewing experience of other patrons.
- Please do not touch the projector, sensors, lights, and other equipment for your own safety and the preservation of the artworks.
Other notes
Notes on ticket purchase
- Tickets can be purchased in advance via the online ticket purchase website. Tickets can be purchased at the venue on the day of the exhibition, but we recommend that you purchase them in advance as they are limited in number and may sell out, or you may be asked to wait if the venue is crowded.
- In the event that unavoidable circumstances, such as inclement weather or transportation suspension, make it difficult for customers to attend the event, we may announce special measures on our official social media accounts. Please be sure to check our website and socials before your come.
- No date/time changes, ticket type changes, cancellations, or refunds will be accepted after purchase. Please carefully check the date, time, ticket type, and number of tickets at the time of purchase.
- Re-entry is permitted on the day of your reservation. If you wish to re-enter, please ask a staff member.
- If the event is canceled or the venue is closed (including cases in which the event cannot be held that day) due to a disaster, other circumstances beyond the organizer’s control, or reasons attributable to the organizer, purchased tickets will be refunded. Details of the refund procedure will be announced separately. However, travel, accommodation, and other expenses incurred in visiting the venue will not be reimbursed under any circumstances.
- Pair ticket holders should enter together once both members of their party have arrived.
- Children of elementary school age and younger are not allowed to enter alone.
Please make sure that all children enter with a parent or guardian 18 years of age or older.
Notes on visiting the museum
- Please note that the opening days, hours, etc. may change due to various reasons. Please check our official social media accounts for the latest information.
- Free lockers are available at the venue, but numbers are limited. In addition, please hold on to large baggage (large carry-on suitcases or outdoor carts) that will not fit in the lockers.
- Baby stroller parking is available. The organizer will not be responsible for any theft, loss, damage, or other trouble since the door cannot be locked.
Notes on the museum experience
- Please note that the artworks and specifications of the artworks may change depending on the season.
- Please note that some artworks may not be available due to crowds or maintenance.
Photography
- Photos and videos may be taken, but please be careful not to disturb other guests.
- Please refrain from using flash photography and filming live broadcasts, including to social media, etc.
- The use of monopods, tripods, selfie sticks, and other photographic aids with a total length of 30 cm or more are also not permitted.
- Please note that interviews and filming may be conducted without prior notice.
If you do not agree to be photographed regardless of the purpose, please notify a staff member.
- Photography for commercial purposes or news gathering without prior consent is not permitted.
- If you are found to be using the exhibition for commercial purposes or disturbing other participants, you may be asked to leave the venue.
- Various media coverage and filming may take place.
If you do not give your consent to be photographed, please notify the nearest staff member.
- In principle, the content of the experience may be freely posted on social networking sites, etc. However, we ask that you please be considerate of other guests and staff when posting photos and videos. Also, when posting or sending out information, please be considerate of those who have not yet experienced the event when doing so.
Other notes
- The venue assumes no responsibility for any injury, loss, damage, or other trouble that may occur during your visit.
- Please note that we will not be responsible for any loss or theft of valuables.
- Please note that due to unforeseen circumstances, some works may not be available for viewing.
- Please follow the instructions of the staff. Failure to comply may result in being asked to leave the venue.
Prohibited items
- Admission of drunken or ill-mannered persons
- Food and beverages in the building (including gum and candy)
- Please refrain from bringing or consuming food or beverages in the screening area or museum shop.
Food and beverages that are in tightly sealed containers may be brought in, however.
- Smoking in the venue.
- Bringing in hazardous materials or items deemed inappropriate by management
- Accompanying pets and other animals (except guide dogs, hearing dogs, and service dogs)